The rise and rise of cognitive science and its impact on theatre studies has been significant over the last decade. Now the crossover between ’cog sci’ and phenomenology is getting increased attention, but there are few scholars able to explore both fields and their relation to acting theory, and even fewer who can do so with reference to a lifetime of actual practice. Phillip Zarrilli isthe leading scholar in the phenomenology of acting. This new book is a more direct engagement with phenomenology and cognitive science, proposing a new type of fieldwork to explore the structures of experience in theatrical performance.
-
Fashion As Performance
$4,498 -
Serious Fun: The Power of Improvisation for Learning and Life
$1,305 -
A.bandit: A Secret Has Two Faces
$1,398 -
Animals are dumb and plants are even dumber
$2,248 -
Erwin Wurm
$1,575 -
FIA Backström: A-Script
$630 -
Body, Psyche, and Taboo: Vienna Actionism and Early Vienna Modernism
$1,798 -
Black Acting Methods: Critical Approaches
$6,300 -
Being a Dancer: Advice from Dancers and Choreographers
$943 -
Music, Theater, and Society in the Comedies of Luiz Carlos Martins Penna (1833-1846): Amidst the Lundu, the Aria, and the Allelu
$4,950 -
Paul Mccarthy
$2,197 -
A Phenomenology of Acting: Acting As ’embodied Enquiry’
$2,023 -
Morten Viskum: Works 1993-2016
$2,450 -
Intersecting Art and Technology in Practice: Techne/Technique/Technology
$4,725 -
How to Audition on Camera: A Hollywood Insider’s Guide for Actors
$523 -
Experiencing Liveness in Contemporary Performance: Interdisciplinary Perspectives
$6,525 -
Fashion As Performance
$1,348 -
Odyssey Works: Transformative Experiences for an Audience of One
$1,225 -
Music, Dance, Affect, and Emotions in Latin America
$4,275 -
Civic Radar
$2,450