The rise and rise of cognitive science and its impact on theatre studies has been significant over the last decade. Now the crossover between ’cog sci’ and phenomenology is getting increased attention, but there are few scholars able to explore both fields and their relation to acting theory, and even fewer who can do so with reference to a lifetime of actual practice. Phillip Zarrilli isthe leading scholar in the phenomenology of acting. This new book is a more direct engagement with phenomenology and cognitive science, proposing a new type of fieldwork to explore the structures of experience in theatrical performance.
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Being a Dancer: Advice from Dancers and Choreographers
$943 -
FIA Backström: A-Script
$630 -
Fashion As Performance
$4,498 -
Victorine Müller: A Moment in Time: Performances, Installationen, Plastische Werke 1994-2014 / Performances, Installations, Thre
$2,025 -
Odyssey Works: Transformative Experiences for an Audience of One
$1,225 -
Dirty Ear Report #2: Sound, Multiplicity, and Radical Listening
$675 -
Title TK 2010-2014
$700 -
How to Audition on Camera: A Hollywood Insider’s Guide for Actors
$523 -
Prinzessinnen und Heilige / Princesses and Saints: Justyna Koeke
$1,048 -
A.bandit: A Secret Has Two Faces
$1,398 -
Intersecting Art and Technology in Practice: Techne/Technique/Technology
$4,725 -
Rosalyn Drexler: Who Does She Think She Is?
$1,750 -
Essential Cinema: An Introduction to Film Analysis With MLA Update Card
$5,448 -
Arguments for a Theatre
$1,033 -
Troubleyn / Laboratorium
$2,700 -
William Yang: Stories of Love and Death
$2,250 -
Performance Anxiety Strategies: A Musician’s Guide to Managing Stage Fright
$1,800 -
Black Acting Methods: Critical Approaches
$6,300 -
Animals are dumb and plants are even dumber
$2,248 -
Erwin Wurm
$1,575