The rise and rise of cognitive science and its impact on theatre studies has been significant over the last decade. Now the crossover between ’cog sci’ and phenomenology is getting increased attention, but there are few scholars able to explore both fields and their relation to acting theory, and even fewer who can do so with reference to a lifetime of actual practice. Phillip Zarrilli isthe leading scholar in the phenomenology of acting. This new book is a more direct engagement with phenomenology and cognitive science, proposing a new type of fieldwork to explore the structures of experience in theatrical performance.
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Civic Radar
$2,450 -
Erwin Wurm
$1,575 -
Dirty Ear Report #1: Sound, Multiplicity, and Radical Listening
$675 -
Senga Nengudi
$1,050 -
El ideal infinitamente variable de lo popular / The Infinitely Variable Ideal of the Popular
$898 -
Victorine Müller: A Moment in Time: Performances, Installationen, Plastische Werke 1994-2014 / Performances, Installations, Thre
$2,025 -
Experiencing Liveness in Contemporary Performance: Interdisciplinary Perspectives
$6,525 -
Staging Space: The Architecture of Performance in the 21st Century
$2,250 -
Christian Falsnaes: Elixir
$1,400 -
Being a Dancer: Advice from Dancers and Choreographers
$943 -
Robert Rauschenberg: Salvage
$1,400 -
Towards a Theatrical Jurisprudence
$6,075 -
Arguments for a Theatre
$1,033 -
An Artist’s Life
$875 -
A Phenomenology of Acting: Acting As ’embodied Enquiry’
$5,625 -
The Cambridge Introduction to Performance Theory
$3,600 -
Black Acting Methods: Critical Approaches
$2,248 -
Ritual, Performance and the Senses
$1,798 -
The Art of Being Many: Towards a New Theory and Practice of Gathering
$1,800 -
FIA Backström: A-Script
$630