The rise and rise of cognitive science and its impact on theatre studies has been significant over the last decade. Now the crossover between ’cog sci’ and phenomenology is getting increased attention, but there are few scholars able to explore both fields and their relation to acting theory, and even fewer who can do so with reference to a lifetime of actual practice. Phillip Zarrilli isthe leading scholar in the phenomenology of acting. This new book is a more direct engagement with phenomenology and cognitive science, proposing a new type of fieldwork to explore the structures of experience in theatrical performance.
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Erwin Wurm
$1,575 -
Rosalyn Drexler: Who Does She Think She Is?
$1,750 -
Paul Mccarthy
$2,197 -
Arguments for a Theatre
$1,033 -
Intersecting Art and Technology in Practice: Techne/Technique/Technology
$4,725 -
Senga Nengudi
$1,050 -
How to Audition on Camera: A Hollywood Insider’s Guide for Actors
$523 -
Dirty Ear Report #1: Sound, Multiplicity, and Radical Listening
$675 -
Essential Cinema: An Introduction to Film Analysis With MLA Update Card
$5,448 -
Troubleyn / Laboratorium
$2,700 -
The Concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci
$3,375 -
FIA Backström: A-Script
$630 -
A Fragile but Marvelous Life: Reader
$980 -
Fashion As Performance
$4,498 -
Fashion As Performance
$1,348 -
A Phenomenology of Acting: Acting As ’embodied Enquiry’
$5,625 -
The Art of Being Many: Towards a New Theory and Practice of Gathering
$1,800 -
Black Acting Methods: Critical Approaches
$2,248 -
Morten Viskum: Works 1993-2016
$2,450 -
Haircuts by Children, and Other Evidence for a New Social Contract
$488