This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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Images: My Life in Film
$875 -
How to Work the Film & TV Markets: A Guide for Content Creators
$1,798 -
Women in Asian Performance: Aesthetics and Politics
$6,750 -
Davinci Resolve 12: Editing Fundamentals
$1,050 -
One Minute Plays: A Practical Guide to Tiny Theatre
$7,425 -
Movement: Onstage and Off
$2,248 -
Philippe Grandrieux: Sonic Cinema
$1,348 -
The Michael Chekhov’s Acting Technique: A Practitioner’s Guide
$943 -
Behind the Curtain: Celebrating the Actor Within
$1,125 -
Performing Utopia
$1,575 -
Performing Antagonism: Theatre, Performance & Radical Democracy
$4,500 -
Pier Paolo Pasolini: Performing Authorship
$2,700 -
Break the Rules and Get the Part: Thirty Monologues for Women
$455 -
Charles Walters: The Director Who Made Hollywood Dance
$898 -
Last Man Standing: Mort Sahl and the Birth of Modern Comedy
$1,398 -
Mae West: It Ain’t No Sin
$700 -
Edith Craig and The Theatres of Art
$5,130 -
After Meisner: A 21st Century Acting Technique
$1,033 -
Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy
$945 -
Learning from the Curse: Sembene’s Xala
$1,238