This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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The Professional Actor’s Handbook: From Casting Call to Curtain Call
$1,350 -
Harry Langdon: King of Silent Comedy
$1,800 -
Screen Acting
$943 -
Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues
$1,125 -
Rebel: My Life Outside the Lines
$1,015 -
Women in Asian Performance: Aesthetics and Politics
$6,750 -
Davinci Resolve 12: Editing Fundamentals
$1,050 -
Charlie Chaplin’s Red Letter Days: At Work With the Comic Genius
$1,710 -
Conceptual Modeling
$1,575 -
Philippe Grandrieux: Sonic Cinema
$1,348 -
Acting for the Stage
$1,348 -
How to Work the Film & TV Markets: A Guide for Content Creators
$1,798 -
Setting the Stage: What We Do, How We Do It, and Why
$943 -
Performing Antagonism: Theatre, Performance & Radical Democracy
$4,500 -
Edith Craig and The Theatres of Art
$5,130 -
The Michael Chekhov’s Acting Technique: A Practitioner’s Guide
$943 -
The San Francisco of Alfred Hitchcock’s Vertigo: Place, Pilgrimage, and Commemoration
$1,350 -
Brian De Palma’s Split-Screen: A Life in Film
$1,350 -
The Professional Actor’s Handbook: From Casting Call to Curtain Call
$2,700 -
Stand-up Comedy
$5,625