This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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Learning from the Curse: Sembene’s Xala
$1,238 -
Philippe Grandrieux: Sonic Cinema
$5,400 -
Twentieth Century Fox: A Century of Entertainment
$1,750 -
The Michael Chekhov’s Acting Technique: A Practitioner’s Guide
$943 -
Women in Asian Performance: Aesthetics and Politics
$6,750 -
Performing Utopia
$1,575 -
Digging Up Mother: A Love Story
$560 -
The Professional Actor’s Handbook: From Casting Call to Curtain Call
$2,700 -
The Collected Works of John Ford
$9,450 -
Acting for the Stage
$1,348 -
One Minute Plays: A Practical Guide to Tiny Theatre
$7,425 -
Pier Paolo Pasolini: Performing Authorship
$2,700 -
Conceptual Modeling
$1,575 -
Edith Craig and The Theatres of Art
$5,130 -
After Meisner: A 21st Century Acting Technique
$1,033 -
Every Day a Holiday: A Storyteller’s Memoir
$980 -
Stand-up Comedy
$5,625 -
An Actor Transforms: Character and the Psychology of Transformation
$1,798 -
Mae West: It Ain’t No Sin
$700 -
Images: My Life in Film
$875

