This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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Edith Craig and The Theatres of Art
$5,130 -
Movement: Onstage and Off
$2,248 -
Charles Walters: The Director Who Made Hollywood Dance
$898 -
Alain Delon: Style, Stardom, and Masculinity
$1,798 -
Behind the Curtain: Celebrating the Actor Within
$1,125 -
Better: Waking Up to Who We Could Be
$770 -
Screen Acting
$943 -
After Meisner: A 21st Century Acting Technique
$1,033 -
Performing Utopia
$1,575 -
Every Day a Holiday: A Storyteller’s Memoir
$980 -
The Michael Chekhov’s Acting Technique: A Practitioner’s Guide
$943 -
Philippe Grandrieux: Sonic Cinema
$1,348 -
The Professional Actor’s Handbook: From Casting Call to Curtain Call
$1,350 -
Harry Langdon: King of Silent Comedy
$1,800 -
The Collected Works of John Ford
$9,450 -
One Minute Plays: A Practical Guide to Tiny Theatre
$7,425 -
Stand-up Comedy
$5,625 -
How to Work the Film & TV Markets: A Guide for Content Creators
$1,798 -
Medical Clowning: The Healing Performance
$1,575 -
Charlie Chaplin’s Red Letter Days: At Work With the Comic Genius
$1,710