This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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The Artist’s Compass: The Complete Guide to Building a Life and a Living in the Performing Arts
$560 -
Edith Craig and the Theatres of Art
$1,708 -
Movement: Onstage and Off
$2,248 -
Mae West: It Ain’t No Sin
$700 -
Stand-up Comedy
$5,625 -
Philippe Grandrieux: Sonic Cinema
$1,348 -
An Actor Transforms: Character and the Psychology of Transformation
$1,798 -
Women in Asian Performance: Aesthetics and Politics
$6,750 -
Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues
$1,125 -
Director’s Cut: My Life in Film
$943 -
Charles Walters: The Director Who Made Hollywood Dance
$898 -
Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy
$945 -
Conceptual Modeling
$1,575 -
The Michael Chekhov’s Acting Technique: A Practitioner’s Guide
$943 -
Charlie Chaplin’s Red Letter Days: At Work With the Comic Genius
$1,710 -
Last Man Standing: Mort Sahl and the Birth of Modern Comedy
$1,398 -
One Minute Plays: A Practical Guide to Tiny Theatre
$1,573 -
Twentieth Century Fox: A Century of Entertainment
$1,750 -
Rebel: My Life Outside the Lines
$1,015 -
The Professional Actor’s Handbook: From Casting Call to Curtain Call
$1,350