This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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Performing Antagonism: Theatre, Performance & Radical Democracy
$4,500 -
How to Work the Film & TV Markets: A Guide for Content Creators
$1,798 -
Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues
$1,125 -
Acting for the Stage
$1,348 -
Charles Walters: The Director Who Made Hollywood Dance
$898 -
Performing Utopia
$1,575 -
The Artist’s Compass: The Complete Guide to Building a Life and a Living in the Performing Arts
$560 -
Screen Acting
$943 -
Learning from the Curse: Sembene’s Xala
$1,238 -
Better: Waking Up to Who We Could Be
$770 -
Every Day a Holiday: A Storyteller’s Memoir
$980 -
Rebel: My Life Outside the Lines
$1,015 -
Philippe Grandrieux: Sonic Cinema
$1,348 -
Rebel: My Life Outside the Lines
$1,015 -
One Minute Plays: A Practical Guide to Tiny Theatre
$7,425 -
Edith Craig and the Theatres of Art
$1,708 -
Philippe Grandrieux: Sonic Cinema
$5,400 -
Alexander Payne: Interviews
$875 -
The Collected Works of John Ford
$9,450 -
Brian De Palma’s Split-Screen: A Life in Film
$1,350

