This book sets out a fresh approach to stand-up comedy. By constructing a theoretical framework using laughter theory, phenomenology and contemporary performance theory, it provides not only a new analytical tool for this genre of performance, but also a means by which it can be understood, discussed and taught. Tim Miles combines empirical research into the ’lived experience’ of live stand-up with a strong theoretical model to explore the importance of performance expectations; perceptions of space; sensory perceptions; liveness; the lived experience; inter-subjectivity; memory; interactions; collectively; and perceptions of truth and trust.
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The San Francisco of Alfred Hitchcock’s Vertigo: Place, Pilgrimage, and Commemoration
$1,350 -
Medical Clowning: The Healing Performance
$1,575 -
The Artist’s Compass: The Complete Guide to Building a Life and a Living in the Performing Arts
$560 -
Davinci Resolve 12: Editing Fundamentals
$1,050 -
Mae West: It Ain’t No Sin
$700 -
Mustache Shenanigans: Making Super Troopers and Other Adventures in Comedy
$945 -
Philippe Grandrieux: Sonic Cinema
$1,348 -
An Actor Transforms: Character and the Psychology of Transformation
$1,798 -
Twentieth Century Fox: A Century of Entertainment
$1,750 -
Performing Utopia
$1,575 -
One Minute Plays: A Practical Guide to Tiny Theatre
$7,425 -
Edith Craig and the Theatres of Art
$1,708 -
Gentlemen of the Shade: My Own Private Idaho
$453 -
Performing Antagonism: Theatre, Performance & Radical Democracy
$4,500 -
Edith Craig and The Theatres of Art
$5,130 -
Behind the Curtain: Celebrating the Actor Within
$1,125 -
Rebel: My Life Outside the Lines
$1,015 -
Alain Delon: Style, Stardom, and Masculinity
$1,798 -
Acting for the Stage
$1,348 -
One Minute Plays: A Practical Guide to Tiny Theatre
$1,573