In Harry Langdon: His Silent Films (1923-1928), film historian James Neibaur examines Langdon's strange, fascinating work
during the silent era, when he made landmark films that were often ahead of their time. Extensively reviewing the comedian's silent screen work film by film, Neibaur makes the case that Langdon
should be accorded the same lofty status as his contemporaries: Charlie Chaplin and Buster Keaton. With fascinating insights into the work of an under-appreciated artist, this book will be of
interest to both fans and scholars of silent cinema.