The woman’s picture, the male trauma narrative, and mind-game films—three ways that American cinema tests the limits: of what victims can suffer, what the body can bear, and what the mind can understand. Usually considered both marginal and excessive, these genres, modes, or tendencies in contemporary Hollywood have more in common than might at first appear. They tell us much about the way America engages in dialogue with its own divided nature and nation, demonstrated across its most cherished and characteristic of art forms: the movies.
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New Transnationalisms in Contemporary Latin American Cinemas: New Transnationalisms
$4,950 -
Philosophy and the Patience of Film in Cavell and Nancy
$4,500 -
Studying British Cinema: The 1970’s
$1,350 -
The Monster Movies of Universal Studios
$1,710 -
Cinema And Sexuality
$1,753 -
European Cinema and Continental Philosophy: Film As Thought Experiment
$5,400 -
Hollywood Hellraisers: The Wild Lives and Fast Times of Marlon Brando, Dennis Hopper, Warren Beatty, and Jack Nicholson
$595 -
An Introduction to European Horror Cinema
$1,575 -
Biology Run Amok!: The Life Science Lessons of Science Fiction Cinema
$1,798 -
The Global Guide to Media Labs
$1,303 -
Studying British Cinema: The 1980s
$3,825 -
Ethics, Justice, Embodiment, and Global Film: Cinematic Provocations
$6,750 -
Confessional Cinema: Religion, Film, and Modernity in Spain’s Development Years, 1960-1975
$3,150 -
Race in American Film: Voices and Visions That Shaped a Nation
$13,230 -
Transformers: The Art of the Movies
$1,223 -
Kirk and Anne: Letters of Love, Laughter, and a Lifetime in Hollywood
$1,225 -
Nollywood: The Making of a Film Empire
$525 -
Naked Under a Waterfall: The Craft of Production Sound Mixing for Film
$1,188 -
In the Scene: Ang Lee
$1,033 -
1939: Hollywood’s Greatest Year
$2,025