The woman’s picture, the male trauma narrative, and mind-game films—three ways that American cinema tests the limits: of what victims can suffer, what the body can bear, and what the mind can understand. Usually considered both marginal and excessive, these genres, modes, or tendencies in contemporary Hollywood have more in common than might at first appear. They tell us much about the way America engages in dialogue with its own divided nature and nation, demonstrated across its most cherished and characteristic of art forms: the movies.
-
The Monster Movies of Universal Studios
$1,710 -
Shifting Layers: New Perspectives in Media Archaeology Across Digital Media and Audiovisual Arts
$855 -
How to Work the Film & TV Markets: A Guide for Content Creators
$7,875 -
Studying British Cinema: The 1980s
$3,825 -
Producer to Producer: A Step-by-Step Guide to Low-Budget Independent Film Producing
$1,468 -
The Cinema of Catherine Breillat
$5,040 -
Local Cinema: Sardinia & European Periphery
$1,620 -
Anthology Film and World Cinema
$1,348 -
The Encyclopedia of B Westerns
$3,825 -
Ethics, Justice, Embodiment, and Global Film: Cinematic Provocations
$6,750 -
Kirk and Anne: Letters of Love, Laughter, and a Lifetime in Hollywood
$1,225 -
The Bible on Silent Film: Spectacle, Story and Scripture in the Early Cinema
$1,575 -
I Fought the Sex Ray: An Innocent Jock’s Journey to Planet Porno
$978 -
Flash Architecture and Integration
$2,100 -
Hollywood Hellraisers: The Wild Lives and Fast Times of Marlon Brando, Dennis Hopper, Warren Beatty, and Jack Nicholson
$595 -
Naked Under a Waterfall: The Craft of Production Sound Mixing for Film
$1,188 -
Kirk and Anne: Letters of Love, Laughter, and a Lifetime in Hollywood - Library Edition
$2,450 -
Studying British Cinema: The 1980s
$1,463 -
Race in American Film: Voices and Visions That Shaped a Nation
$13,230 -
Ava Gardner: A Life in Movies
$1,050