內容簡介

This groundbreaking collection of essays examines Argintine cultural production during the 1989-2001 period, which coincided with the implementation of neoliberalism under President Carlos Saul Menem (1989-1999) and his successor, Fernando de la Rua (1999-2001), thereby providing an overview of the way Argentine writers, filmmakers, musicians and media reacted to this centrality of the market forces.
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