Weldon Kees is one of those fascinating people you’ve likely never heard of. What is most captivating about Kees is that he disappeared without a trace on July 18, 1955. Police found his 1954 Plymouth Savoy abandoned on the north side of the Golden Gate Bridge one day later. The keys were still in the ignition. Though Kees had alluded days prior to picking up and moving to Mexico, none of his poetry, art, or criticism has since surfaced either north or south of the Rio Grande.
Kees’s apparent suicide has led critics to compare him to another American modernist poet who committed suicide two decades earlier—Hart Crane. In comparison to Crane, Kees is certainly now a more obscure figure. John T. Irwin, however, is not content to allow Kees to fall out of the twentieth-century literary canon. In The Poetry of Weldon Kees, Irwin ties together elements of biography and literary criticism, spurring renewed interest in Kees as both an individual and as a poet.
Irwin acts the part of literary detective, following clues left behind by the poet to make sense of Kees’s fascination with death, disappearance, and the interpretation of an artist’s work. Arguing that Kees’s apparent suicide was a carefully-plotted final aesthetic act, Irwin uses the poet’s death as a lens through which to detect and interpret the structures, motifs, and images throughout his poems—as the author intended. The first rigorous literary engagement with Weldon Kees’s poetry, this book is an astonishing reassessment of one of the twentieth century’s most gifted writers.
