This book explores the highly-valued, and often highly-charged, ideal of authenticity in hip-hop — what it is, why it is important, and how it affects the day-to-day life of rap artists. By analyzing the practices, identities, and struggles that shape the lives of rappers in the London scene, the study exposes the strategies and tactics that hip-hop practitioners engage in to negotiate authenticity on an everyday basis. In-depth interviews and fieldwork provide insight into the nature of authenticity in global hip-hop, and the dynamics of cultural appropriation, globalization, marketization, and digitization through a combined set of ethnographic, theoretical, and cultural analysis. The volume provides a much-needed intervention in popular music debates where authenticity is predominantly theorized as either essentialist or socially constructivist in nature. Based on an empirically-driven analysis, Speers redefines authenticity as an emergent human capacity, produced through situated practices, in a changing world. This advances the discussion in the field beyond static, discursive, or imagined notions of authenticity, which has considerable implications beyond the case study of London. Despite growing attention to authenticity in popular music, this book is the first to offer a comprehensive theoretical model explaining the reflexive approaches hip-hop artists adopt to ‘live out’ authenticity in everyday life. This model will act as a blueprint for new studies in global hip-hop and be generative in other authenticity research, and for other music genres such as punk, rock and roll, country, and blues that share similar issues surrounding contested artist authenticity. This book will engender much needed discussion and debate about the nature of authenticity in music, youth culture, and contemporary society more widely, and will also be of interest to scholars in sociology, cultural studies, communication, anthropology, and urban studies.
-
Cuban Underground Hip Hop: Black Thoughts, Black Revolution, Black Modernity
$3,150 -
Hip Hop Raised Me
$2,200 -
Hip Hop Family Tree Book 4
$980 -
Real Love, No Drama: The Music of Mary J. Blige
$873 -
Hip Hop Family Tree 3-4: 1983-1985
$1,750 -
Street Is My Pulpit: Hip Hop and Christianity in Kenya
$1,125 -
Original Gangstas: The Untold Story of Dr. Dre, Eazy-E, Ice Cube, Tupac Shakur, and the Birth of West Coast Rap
$980 -
The Rap Year Book: The Most Important Rap Song from Every Year Since 1979, Discussed, Debated, and Deconstructed
$698 -
Flyboy: The Greg Tate Reader
$908 -
Negro Soy Yo: Hip Hop and Raced Citizenship in Neoliberal Cuba
$1,123 -
Blowin’ Up: Rap Dreams in South Central
$2,700 -
The Hip Hop & Obama Reader
$1,663 -
Cape Verde, Let’s Go: Creole Rappers and Citizenship in Portugal
$1,125 -
Kanye West Owes Me $300: And Other True Stories from a White Rapper Who Almost Made It Big
$910 -
Original Gangstas: The Untold Story of Dr. Dre, Eazy-E, Ice Cube, Tupac Shakur, and the Birth of West Coast Rap: Library Edition
$4,165 -
Hip-hop Within and Without the Academy
$1,935 -
Hip Hop and Social Change in Africa: Ni Wakati
$2,025 -
Diary of a Madman: The Geto Boys, Life, Death, and the Roots of Southern Rap
$560 -
Juggalo: Insane Clown Posse and the World They Made
$630 -
Australian Indigenous Hip Hop: The Politics of Culture, Identity, and Spirituality
$6,300

