This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden—the pergola—became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature.
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Renaissance Paintings
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Renaissance
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Giotto
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Freud’s Trip to Orvieto: The Great Doctor’s Unresolved Confrontation With Antisemitism, Death, and Homoeroticism; His Passion fo
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Leonardo Da Vinci
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Hybrid Renaissance: Culture, Language, Architecture
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Les Enfants De Caïn: Les Représentations Du Criminel En France Et En Italie, De La Renaissance Au Début Du XXe Siècle
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Sandro Botticelli
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Raphael’s Tapestries: The Grotesques of Leo X
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Michelangelo: 1475-1564: Universal Genius of the Renaissance
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Caravaggio and the Creation of Modernity
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Edgar Degas Masterpieces of Art
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Jews on Trial: The Papal Inquisition in Modena, 1598-1638
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Mary of Mercy in Medieval and Renaissance Italian Art: Devotional Image and Civic Emblem
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The Poetics of Ruins in Renaissance Literature
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Birds, Other Animals and Natural Curiosities
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Renaissance & Reformation: German Art in the Age of Dürer and Cranach
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Titian: The Poet of the Image and the Shade of Beauty
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French Painting Ca. 1500: New Discoveries, New Approaches
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Sublime Truth and the Senses: Titian’s Poesie for King Philip II of Spain
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