From Graham Moore, the Academy Award–winning screenwriter of The Imitation Game and New York Times bestselling author of The Sherlockian, comes a page-turning historical thriller—a novel
based on actual events—about the nature of genius, the cost of ambition, and the battle to electrify America.
New York, 1888. The miracle of electric light is in its infancy, and a young untested lawyer named Paul Cravath, fresh out of Columbia Law School, takes a case that seems impossible to win.
Paul’s client, George Westinghouse, has been sued by Thomas Edison over a billion-dollar question: Who invented the light bulb and holds the right to power the country?
The case affords Paul entry to the heady world of high society—the glittering parties in Gramercy Park mansions, and the more insidious dealings done behind closed doors. The task facing Paul
is beyond daunting. Edison is a wily, dangerous opponent with vast resources at his disposal—private spies, newspapers in his pocket, and the backing of J. P. Morgan himself. Yet this unknown
attorney shares with his famous adversary a compulsion to win at all costs. How will he do it? In obsessive pursuit of victory, Paul crosses paths with Nikola Tesla, an eccentric, brilliant
inventor who may hold the key to defeating Edison, and with Agnes Huntington, a beautiful opera singer who proves to be a flawless performer on stage and off. As Paul takes greater and greater
risks, he’ll find that everyone in his path is playing their own game, and no one is quite who they seem.
Advance praise for The Last Days of Night
“Mesmerizing, clever, and absolutely crackling, The Last Days of Night is a triumph of imagination. Graham Moore has chosen Gilded Age New York as his playground, with outsized
characters—Edison, Tesla, Westinghouse—as his players. The result is a beautifully researched, endlessly entertaining novel that will leave you buzzing.”—Gillian Flynn, author of Gone
Girl
“In The Last Days of Night, Graham Moore takes us back to the dawn of light—electric light—into a world of invention and skulduggery, populated by the likes of Edison, Westinghouse, Tesla,
and the novel’s hero, a young lawyer named Paul Cravath (a name that will resonate with ambitious law students everywhere). It’s part legal thriller, part tour of a magical time—the age of
wonder—and once you’ve finished it, you’ll find it hard to return to the world of now.”—Erik Larson, author of The Devil in the White City
“The Last Days of Night is a wonder, a riveting historical novel that is part legal thriller, part techno-suspense. This fast-paced story about the personal and legal clash over the invention
of the light bulb is a tale of larger-than-life characters and devious doings, and a significant meditation on the price we as a society pay for new technology. . . . Thoughtful and hugely
entertaining.”—Scott Turow
Review
Advance praise for The Last Days of Night
“Mesmerizing, clever, and absolutely crackling, The Last Days of Night is a triumph of imagination. Graham Moore has chosen Gilded Age New York as his playground, with outsized
characters—Edison, Tesla, Westinghouse—as his players. The result is a beautifully researched, endlessly entertaining novel that will leave you buzzing.”—Gillian Flynn, author of Gone
Girl
“In The Last Days of Night, Graham Moore takes us back to the dawn of light—electric light—into a world of invention and skulduggery, populated by the likes of Edison, Westinghouse, Tesla,
and the novel’s hero, a young lawyer named Paul Cravath (a name that will resonate with ambitious law students everywhere). It’s part legal thriller, part tour of a magical time—the age of
wonder—and once you’ve finished it, you’ll find it hard to return to the world of now.”—Erik Larson, author of The Devil in the White City
“The Last Days of Night is a wonder, a riveting historical novel that is part legal thriller, part techno-suspense. This fast-paced story about the personal and legal clash over the invention
of the light bulb is a tale of larger-than-life characters and devious doings, and a significant meditation on the price we as a society pay for new technology. . . . Thoughtful and hugely
entertaining.”—Scott Turow