Media scholars map and reflect registers of performance and techno-social layers of performativity in digital cultures. Their basic proposition is that the ubiquity and pervasiveness of digital
media and their networked infrastructures profoundly influence the ways and styles in which performativity appears and is enacted. The topics include performing the digital: positions of
critique in digital cultures, making digital choreographic objects inter-relate: a focus on coding practices, the noisy motions of instruments: the performative space of digital finance, and
mobile phone signals and protest crowds: performing an unstable post-media constellation. Distributed in North America by Columbia University Press. Annotation ©2017 Ringgold, Inc., Portland,
OR (protoview.com)
