"Beyond Reason relates Wagner’s works to the philosophical and cultural ideas of his time, centering on the four music dramas he created in the second half of his career: Der Ring des
Nibelungen, Tristan und Isolde, Die Meistersinger von Nèurnberg, and Parsifal. Karol Berger seeks to penetrate the "secret" of large-scale form in Wagner’s music dramas and to answer those
critics, most prominently Nietzsche, who condemned Wagner for his putative inability to weld small expressive gestures into larger wholes. Organized by individual opera, this is essential
reading for both musicologists and Wagner experts."--Provided by publisher.