Tashkent, the southernmost metropolis of millions in the Soviet Union, is a city redolent with architectural contrasts and paradoxes. Home to the most beautiful prefabricated buildings in the
world, it features a prominent urban duality predicated upon the oriental Old City and the Russian New City. Never was this contrast brought into sharper focus than during the severe
earthquake of 1966 which left the New City relatively unscathed but the Old City in ruins, and more than 200,000 people homeless. Yet one respite was offered: a rebuilding effort
which triggered an upsurge of innovation. The city thus became the face of seismic modernism – unprecedented in history, the earthquake stimulated modernisation of urban development in
Tashkent. Architects incorporated regional building traditions in their socialist modern designs, including the visually intriguing façade mosaics attributed to the little-known Zharsky
brothers. The rebuilding of Tashkent thus provides a perfect example of Soviet ideas about urban planning – in which technical standardisation and social requirements were no more of a
contradiction than the design of experimental living concepts and the simultaneous search for an expression of national identity in building. Tashkent thus represents a unique example of the
radical urban redevelopment of a Soviet megacity with standard designs.
