"He came on stage in a coffin, carried by pallbearers, drunk enough to climb into his casket every night. Onstage he wore a cape, clamped a bone to his nose, and carried a staff topped with a
human skull. Offstage, he insisted he’d been raised by a tribeof Blackfoot Indians, that he’d joined the army at fourteen, that he’d defeated the middleweight boxing champion of Alaska, that
he’d fathered seventy-five illegitimate children. The R&B wildman Screamin’ Jay Hawkins only had a single hit, the classic "IPut a Spell On You," and was often written off as a clownish
novelty act -- or worse, an offense to his race -- but his myth-making was legendary. In his second novel, Mark Binelli embraces the man and the legend to create a hilarious, tragic,
fantastical portrait of this unlikeliest of protagonists. Hawkins saw his life story as a wild picaresque, and Binelli’s novel follows suit, tackling the subject in a dazzling collage-like
style. At Rolling Stone, Binelli has profiled some of the greatest musiciansof our time, and this novel deftly plays with the inordinate focus on "authenticity" in so much music writing about
African-Americans. An entire novel built around a musician as deliberately inauthentic as Screamin’ Jay Hawkins thus becomes a sort of subversive act, as well as an extremely funny and
surprisingly moving one"--