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A Critical Companion to the American Stage Musical
$4,230 -
Sources of Dramatic Theory: Hebbel
$2,475 -
Facilitation: Pedagogies, Practices, Resilience
$4,860 -
Subversive Stages: Theater in Pre- and Post-Communist Hungary, Romania, and Bulgaria
$2,250 -
Queen Henrietta’s Men and the Cockpit Repertory: Drama on the Drury Lane Stage, 1625-37
$4,500 -
Outside Theater: Alliances That Shape Mexico
$2,475 -
From Scenarios to Networks: Performing the Intercultural in Colonial Mexico
$1,573 -
Early Modern Actors and Shakespeare’s Theatre: Thinking With the Body
$4,590 -
Gilbert and Sullivan’s ’respectable Capers’: Class, Respectability and the Savoy Operas 1877–1909
$4,500 -
Guilty Pleasures: Theater, Piety, and Immorality in Seventeenth-Century France
$2,025 -
Staging History: 1780-1840
$2,025 -
100 Greatest American Plays
$2,250 -
Susan Glaspell’s Poetics and Politics of Rebellion
$2,925 -
May Irwin: Singing, Shouting, and the Shadow of Minstrelsy
$1,123 -
The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture
$4,500 -
The 101 Greatest Plays: From Antiquity to the Present
$593 -
Participatory Art
$4,275 -
Drop Dead: Performance in Crisis, 1970s New York
$4,498 -
Chaos in Theater: Improvisation and Complexity
$4,048 -
Theatre Criticism: Changing Landscapes
$3,960