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May Irwin: Singing, Shouting, and the Shadow of Minstrelsy
$1,123 -
Participatory Art
$4,275 -
Queen Henrietta’s Men and the Cockpit Repertory: Drama on the Drury Lane Stage, 1625-37
$4,500 -
Independent Theatre in Contemporary Europe: Structures - Aesthetics - Cultural Policy
$2,025 -
The Theatre of Grotowski
$1,348 -
Theatre World 2014-2015
$1,925 -
Sources of Dramatic Theory: Hebbel
$2,475 -
Early Modern Actors and Shakespeare’s Theatre: Thinking With the Body
$4,590 -
Playwrights and Power: The Making of the Dramatists Guild
$998 -
Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life
$2,475 -
From Scenarios to Networks: Performing the Intercultural in Colonial Mexico
$4,498 -
Magic Flutes & Enchanted Forests: The Supernatural in Eighteenth-century Musical Theater
$1,500 -
The Jeu D’adam: Ms Tours 927 and the Provenance of the Play
$4,455 -
Moving Performances: Divas, Iconicity, and Remembering the Modern Stage
$4,050 -
Early Modern Diplomacy, Theatre and Soft Power: The Making of Peace
$4,500 -
The Astaires: Fred & Adele
$350 -
The Making of Samuel Beckett’s Radio Plays
$1,800 -
100 Greatest American Plays
$2,250 -
Batman: Facts and Stats from the Classic TV Show
$593 -
Gilbert and Sullivan’s ’respectable Capers’: Class, Respectability and the Savoy Operas 1877–1909
$4,500