This volume presents dandyism—the embodiment of aesthetic and intellectual ideals—from its origins with Beau Brummell to its major twentieth-century representatives. Author Philip Mann dispels
the myth that dandyism centers upon vanity through portraits of the first dandy—Regency England’s Beau Brummell—and six twentieth-century figures: Austrian architect Adolf Loos, the Duke of
Windsor, neo-Edwardian couturier Bunny Roger, eccentric writer and raconteur Quentin Crisp, French film producer Jean-Pierre Melville, and New German Cinema savant and “inverted dandy” Rainer
Werner Fassbinder. He chronicles their style, identity, influence, melancholy, and often untimely demise, using a mélange of photography, biography, and anecdote. Weaving their stories into an
extensive and entertaining history of tailoring and men’s fashion, he offers incisive perspective on the dandy’s aesthetic concerns, pensive nostalgia for the golden Edwardian era, and
nonchalant persona. He contextualizes the relationship of dandyism to homosexuality and to modernism, while simultaneously portraying the cultural development of a century punctuated by two
world wars and social upheaval.