＂Fyodor Dostoevsky’s first novel, Netochka Nezvanova, written in 1849, remains the least studied and understood of the writer’s long fiction, but it was a seedbed for many topics and themes
that became hallmarks of his major works. Specifically, NetochkaNezvanova was the first in Dostoevsky’s corpus to focus on the psychology of children and the first to feature a woman in a
leading and narrative role. It was also the first work in Russian literature to deal with problems of the family. In Heroine Abuse, Thomas Marullo contends that Netochka Nezvanova also provides
a striking example of what psychologists today call codependency: the ways--often deviant and destructive--in which individuals bond with people, places, and things, as well as with images and
ideas, to cope with the vicissitudes of life. Marullo shows how, at age twenty-eight, Dostoevsky intuited and illustrated the workings of ＂relationship addiction＂ almost a century and a half
before it became the scholarly focus of practitioners of mental health. The moral monsters, ＂infernal＂ women, children-adults, and adult-children who populate Netochka Nezvanova seek
codependence in people, places, and things, and in images, ideas, and ideals to satiate cravings for love, dominance, and control, as well as to indulge in narcissism, sexual perversion, and
other aberrant or alternative behaviors. (Indeed, in no other work would Dostoevsky examine such phenomena as pedophilia and lesbianism with such abandon.) Racing from tie to tie, bond to bond,
and caught in a debilitating loop that they claim to detest, but sadomasochistically enjoy, the characters in Netochka Nezvanova wreak havoc on themselves and the world. They do so, moreover,
with impunity, their addictions moving them from momentary exultation as self-styled extraordinary men and women, through prolonged darkness and despair, and once again, to old and new
addictions for physical and emotional release. Readers of Heroine Abuse will see Netochka Nezvanova as a timeless model in depicting codependency in the world of the twenty-first century as it
did in St. Petersburg in 1849. Marullo’s original work will appeal to scholars and students of Russian and comparative fiction; to doctors, psychologists, and therapists; to laymen and women
interested in relationship addiction; and, finally, to codependents and relationship addicts of all types＂--
