"Many people today first encounter staged Shakespeare in an open-air setting. In Australia, picnic Shakespeares seem particularly suited to the predilections of contemporary audiences and the
plays have been performed in a remarkably varied range of sites. Shakespeare has been transported to gardens, parks, caves, mountains and beaches all over the country, in a place that for
Shakespeare and his contemporaries was completely unknown. Why does the anomaly of performing Shakespeare in Australian space exert such a strong appeal? This book traces the history of
open-air Shakespeare production in Australia from the beginning of the twentieth century to the present day and suggests that the industry reflects important changes in the ways contemporary
Australians relate to both their environment and to Shakespeare. It provides striking evidence of the diversity of localised responses to Shakespeare that exist outside Britain, and contributes
to our understanding of Shakespeare's changing global impact"--
