'This groundbreaking publication centers on a previously unknown variation of Eug墈ne Delacroix's (1798-1863) dramatic masterpiece The Last Words of the Emperor Marcus Aurelius, published here
for the first time. This book offers a compelling reassessment of the relationship of the artist, widely consider a primary exemplar of Romanticism, to Neoclassical themes, as demonstrated by
his life-long fascination with the death of Marcus Aurelius. Through this investigation, the authors reinterpret Delacroix's lineage to such fellow artists as Jean-Auguste Dominique Ingres
(1780-1867) and Jacques-Louis David (1748-1825). Playing on the various interpretations of the word 'finish,' the book also offers a fascinating account of Delacroix's famously troubled
collaboration with his studio assistants, his conflicted feelings about pedagogy, and his preoccupation with the fate of civilizations'--
