內容簡介

This volume examines the ways in which Shakespeare�� plays are designed for hearers as well as spectators and shows how Shakespeare�� stagecraft, actualized both on stage and screen, revolves around various hearing conventions such as soliloquies, asides, eavesdropping, overhearing, and stage whispers. In short, Who Hears in Shakespeare? enunciates Shakespeare�� nuanced, powerful stagecraft of hearing.
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