Why did Queen Elizabeth I compare herself with her disastrous ancestor Richard II? Why would Ben Jonson transform Queen Anne and her ladies into Amazons as entertainment for the
pacifist King James? How do the concepts of costume as high fashion and as self-fashioning, as disguise and as the very essence of theater, relate to one another? How do portraits of
poets help make the author readers want, and why should books, the embodiment of the word, be illustrated at all? What conventions connect image to text, and what impulses generated
the great art collections of the early seventeenth century?
In this richly illustrated collection on theater, books, art, and personal style, the eminent literary critic and cultural historian Stephen Orgel addresses himself to such questions
in order to reflect generally on early modern representation and, in the largest sense, early modern performance. As wide-ranging as they are perceptive, the essays deal with
Shakespeare, Jonson, and Milton, with Renaissance magic and Renaissance costume, with books and book illustration, art collecting, and mythography. All are recent, and five are
hitherto unpublished.
