"Marvelously sustained and densely rhythmic, this tightly constructed whole is built of parts that, at each level, all the way down to the phrase, constitute poems in themselves. Baus manages
to keep a cast of words in constant replay until many of them take on the presence of character, and some emerge as characters themselves簫--Minus and Iris, for instance--簫keeping the whole on
the verge of a narrative project that remains always just barely out of reach, just barely in another world in which language and animal endlessly interleave. Baus has opened a new literary
field: the linguistic bestiary, a new zoo where words pace like fauves behind ever-thinning bars." --Cole Swensen, contest judge and author of Greensward, Ours, and The Glass
Age.