Queloides catalogs an art exhibit on the persistence of racism and racial discrimination in contemporary Cuba. Despite the social transformations implemented by the Cuban
revolutionary government since the early 1960s, racism continues to be a deep wound in Cuban society, one that generates countless social and cultural scars. In response to the official
silence surrounding racial issues in Cuba, the twelve artists who participate in Queloides insist on the need to acknowledge and debate this social problem. This is the first time in
post-revolutionary Cuba that the word “racism” has appeared in the title of an exhibition.
The volume, which is bilingual in English and Spanish, includes several essays that analyze the work of these visual artists in the context of changes
experienced by Cuban society since the 1990s, including the resurgence of racist attitudes and behaviors. “Queloides,” or “keloids,” are pathological, wound-induced scars. Although any
injury may result in keloids, many people in Cuba believe that black skin is particularly susceptible to them. Thus the title evokes the persistence of racial stereotypes and the traumatic
process of dealing with racism, discrimination, and racist violence.
Alejandro de la Fuente and Elio Rodr穩guez Vald矇s co-curated the exhibit, which was originally hosted at the Wifredo Lam Center of Contemporary Art in Havana,
Cuba, and transferred to the Mattress Factory in Pittsburgh, Pennsylvania.
