Sergei Dovlatov’s subtle, dark-edged humor and wry observations are in full force in The Suitcase as he examines eight objectsthe items he brought with him in his luggage upon his
emigration from the U.S.S.R. These seemingly undistinguished possessions, stuffed into a worn-out suitcase, take on a riotously funny life of their own as Dovlatov inventories the
circumstances under which he acquired them, occasioning a brilliant series of interconnected tales: A poplin shirt evokes the bittersweet story of a courtship and marriage, while a pair of
boots (of the kind only the Nomenklatura can afford) calls up the hilarious conclusion to an official banquet. Some driving glovesremnants of Dovlatov’s short-lived acting careershare space
with neon-green crepe socks, reminders of a failed black-market scam. And in curious juxtaposition, the belt from a prison guard’s uniform lies next to a stained jacket that once belonged to
Fernand Léger.
Imbued with a comic nostalgia overlaid with Dovlatov’s characteristically dry wit, The Suitcase is an intensely human, delightfully ironic novel from the finest Soviet satirist to
appear in English since Vladimir Voinovich” (The Washington Post).