On receiving the invitation from the Fundacio Mies van der Rohe, I realized that my task consisted of intervening rather than exhibiting of endowing the Pavilion with another dimension, of
activating it in a different way.
The Pavilion's architectural report, filed away, and the phenomenon of its existence over a long period in relation to paper and to printed documentation, led me once again to the perception of
the smell associated with time, archives, closed space and the olfactory experience. The divulging and mediatic role of the Pavilion, and knowledge of it through writings, the press and
bibliography, which has reached so many people, led me to another type of olfactory proposal.
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William Van Alen, Fred T. Ley and the Chrysler Building
$1,798 -
Sukhdev Sandhu
$350 -
The Last Words of Antonin Artaud
$2,475 -
Franz West: Galerie Eva Presenhuber, 95–15
$1,925 -
Art and Text
$1,048 -
The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience
$2,925 -
Philippe Parreno: Hypnosis Hypothesis
$1,748 -
Destruction Rites: Ephemerality and Demolition in Postwar Visual Culture
$4,455 -
Albert Duvall Quigley: Artist, Musician, Framemaker, 1891-1961
$1,050 -
Towards an Aesthetics of Production
$1,350 -
Bento’s Sketchbook
$525 -
Bless Your Heart: Favorite Southern Sayings
$525 -
Interpreting Visual Art: A Survey of Cognitive Research About Pictures
$3,598 -
The Chasuble of Thomas Becket: A Biography
$5,400 -
The Paragone in Nineteenth-century Art
$6,750 -
Teaching Painting: How Can Painting Be Taught in Art Schools?
$698 -
Critical Practice: Theorists and Creativity
$3,330 -
Sigmar Polke: Eine Winterreise
$2,100 -
Aleksandra Waliszewska: 2000 Words
$770 -
Colour and Light in Ancient and Medieval Art
$6,750