On receiving the invitation from the Fundacio Mies van der Rohe, I realized that my task consisted of intervening rather than exhibiting of endowing the Pavilion with another dimension, of
activating it in a different way.
The Pavilion's architectural report, filed away, and the phenomenon of its existence over a long period in relation to paper and to printed documentation, led me once again to the perception of
the smell associated with time, archives, closed space and the olfactory experience. The divulging and mediatic role of the Pavilion, and knowledge of it through writings, the press and
bibliography, which has reached so many people, led me to another type of olfactory proposal.
-
Interpreting Visual Art: A Survey of Cognitive Research About Pictures
$3,598 -
Hexen 2.0 Tarot
$1,048 -
Aleksandra Waliszewska: 2000 Words
$770 -
Creating the Countryside: The Rural Idyll Past and Present
$1,400 -
Franz West: Galerie Eva Presenhuber, 95–15
$1,925 -
Teaching Painting: How Can Painting Be Taught in Art Schools?
$698 -
See Yourself X: Human Futures Expanded
$1,575 -
Curatorial Roundtable
$350 -
The Last Words of Antonin Artaud
$2,475 -
William Van Alen, Fred T. Ley and the Chrysler Building
$1,798 -
Relational Art: A Guided Tour
$698 -
Rivington School: 80s New York Underground
$1,223 -
Albert Duvall Quigley: Artist, Musician, Framemaker, 1891-1961
$1,050 -
Towards an Aesthetics of Production
$1,350 -
Destruction Rites: Ephemerality and Demolition in Postwar Visual Culture
$4,455 -
Liu Dan: New Landscapes and Old Masters
$1,050 -
The Big Picture: Contemporary Art in 10 Works by 10 Artists
$1,048 -
Sigmar Polke: Eine Winterreise
$2,100 -
Amedeo Modigliani
$698 -
100 Boots: A Book of Postcards
$453

