Obscured. Imperceptible. Hidden in plain sight.
The world is rife with extraordinary musicians and artists, tirelessly dedicated to their crafts, who are buried beneath the buzz. We have long since learned that the best and most
innovative creators do not cater to the lowest common denominator; instead, they are unflinching in their artistic visions—and, as a result, often found only by audiences that are determined
to discover.
In ALARM 38, amid scores of such devoted individuals, we meet:
- A Japanese-American master of the Tsugaru-shamisen, splicing thrash metal with a consummate command of an ancient instrument
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- A surrealist digital-collage artist and former record-label owner, fueled by the marriage of art and music as well as a newfound spirituality
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- An Australian tango-tinged lounge ensemble whose seamless amalgamations call upon spy music, Italian Western motifs, and Gypsy marches
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- A hard-hitting synth-rock trio that has survived in spite of—and likely due to—an intercontinental divide
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- A group of New Yorkers who hold exhibitions in unsold condos, challenging the notion of what makes a proper art space
- A string trio beholden to the traditions of Americana and early African-American folk—but unafraid to transform a pop hit that perched atop the Billboard Top 100
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- A grade-school language-arts teacher who makes hip hop for people who “know their Basquiat as well as their basketball.”
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Beyond the echo-chamber blogosphere, these visionaries toil in relative obscurity, content to please themselves and anyone fortunate enough to cross their paths. ALARM is dedicated, more than
ever, to presenting as many of these artisans as possible in each robust installment. If you’re constantly in search of what you might be missing, let this be your guide.
