The contributors bring to bear an unrivalled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, from Rear Window to Psycho, which is shown to be an exemplary
source of postmodern defamiliarization. Starting from the premise that ��verything has meaning,��the authors analyze the films' ostensible narrative content and formal procedures to discover a
rich proliferation of ideological and psychic mechanisms at work. But Hitchcock is also a bait to lure the reader into a serious Marxist and Lacanian exploration of the construction of meaning.
An extraordinary landmark in Hitchcock studies, this edition features a brand new essay by Slavoj Zizek.
