In his novel Mao II, Don DeLillo lets his protagonist say, "Years ago I used to think it was possible for a novelist to alter the inner life of the culture. Now bomb-makers and gunmen have
taken that territory. They make raids on human consciousness." DeLillo suggests that while the collective imagination of the past was guided by the creative order of narrative fictions, our
contemporary fantasies and anxieties are directed by the endless narratives of war and terror relayed by the mass media.
To take DeLillo's literary reflections on media, terrorism, and literature seriously means to engage with the ethical implications of his media critique. Terrorism, Media, and the Ethics of
Fiction departs from existing books on DeLillo not only through its focus on the function of literature as public discourse in contemporary culture, but also in its decidedly transatlantic
perspective. Bringing together some of the most prominent DeLillo scholars it opens up a dialog between DeLillo scholarship in Europe and in the US, making it the first critical work on DeLillo
to position his work in a transatlantic context.
