The idea of the gift, in contrast to concepts of commercial exchange or the exercise of self-interest at the expense of social ties, is integral to the ways in which William Blake thought about
his art, and the production and dissemination of his work. Sarah Haggarty offers a sophisticated and thorough account of the idea of the gift in Blake's writing and designs, examining both the
theoretical implications of the term, and the way it plays out in specific textual and visual contexts within Blake's works.
Elegantly written, thoughtful, and closely argued, this book explores particular passages with great dexterity and in a style that enables the reader to participate in the experience of
discovering the significance of "the gift" for understanding Blake's work.
