Since the death of Thomas Bernhard in 1989, the literary reputation of this complex and unique writer has risen to the point that he is now regarded as a major European figure. Bernhard emerged
in the 1960s as one of Austria's major writers, challenging the popularity of such established writers as Heinrich B繹ll and G羹nter Grass on the German literary scene. His idiosyncratic prose
consists of a tragic-comic blend of themes such as suicide, madness, and isolation combined with highly satirical and histrionic invectives against culture, tradition, and society. As a
skillful impresario of public scandals by means of verbal assaults upon Austrian elite culture, Bernhard also earned himself the epithet of 羹bertreibungsk羹nstler (artist of exaggeration). In
this art of cultural and political provocation Bernhard remains unmatched to the present day. This volume of essays provides contributions by well-known critics that examine the most salient
aspects of Bernhard's work, offering insights into literary strategies and public themes that made Bernhard one of Europe's masters of modern prose and drama. Essays examine Bernhard's complex
artistic sensibility, his impact on Austria's critical memory, his relation to the legacy of Austrian Jewish culture, his representative value as Austria's prime literary export, and his
cosmopolitanism and its significance for the rapidly changing multicultural landscape of Europe.Matthias Konzett is associate professor of German at Yale University. He is the author of The
Rhetoric of National Dissent in Thomas Bernhard, Peter Handke, and Elfriede Jelinek (Camden House, 2000). a href="http://www.camden-house.com/pdfs/chwtb.pdf">Click here to view the
introduction/a> (PDF file 97KB)
