This lively textual symposium offers a collection of formative research on the culture of global psytrance (psychedelic trance). As the first book to address the diverse transnationalism of
this contemporary electronic dance music phenomenon, the collection hosts interdisciplinary research addressing psytrance as a product of intersecting local and global trajectories.
Contributing to theories of globalization, postmodernism, counterculture, youth subcultures, neotribes, the carnivalesque, music scenes and technologies, dance ritural, and spirituality,
chapters introduce psytrance in Goa, the UK, Israel, Japan, the US, Italy, the Czech Republic, Portugal, and Australia. As a global occurrence indebted to 1960's psychedelia, sharing music
production technologies and DJ techniques with electronic dance music scenes, and harnessing the communication capabilities of the internet, psytrance and its cultural implications are
thoroughly explored.
"This stimulating collection of essays by some of the key researchers in the field provides a genuinely insightful and engaging contribution to the study of psytrance, which students, tutors,
and researchers will be turning to for many years to come. I warmly and enthusiastically welcome it."-Christopher Partridge, Lancaster University
Graham St John is a Research Associate at the University of Queensland's Centre for Critical and Cultural Studies, and was recently a Postdoctoral Research Fellow in Interactive Media and
Production at the University of Regina, Saskatchewan, and an SSRC Residential Fellow at the School for Advanced Research, Santa Fe, New Mexico.
