This groundbreaking analysis spotlights a select group of Man Ray’s photographs within the context of modernist photographic history and the “discovery” of African art by the early
twentieth-century avant-garde. Featuring more than seventy photographs by Man Ray—some never before reproduced—alongside many rarely seen photographs of African art by his European and
American contemporaries, Man Ray, African Art, and the Modernist Lens uncovers a virtually unknown chapter in both the inventive activities of this celebrated artist and in this
overlooked facet of photographic history.
Meticulously researched and compellingly presented, Wendy A. Grossman raises thought-provoking questions about the role photographs played in shaping perceptions of African art and, in turn,
how such images led to distinctive modernist viewpoints across racial and geographic boundaries. Particularly notable is the treatment of the African pieces both as integral components of the
modernist history to which they contributed and, as elucidated by groundbreaking scholarship by African art experts, objects with their own independent cultural histories.
Revealing a more complex engagement with African art by Man Ray and his contemporaries than has been previously known, Grossman provides a rich and nuanced study that makes an important
addition to our understanding of critical issues in modernism that continue to influence the way we see African art today.
