Challenging received views of music in nineteenth-century German thought, culture and society, this book provides a radical reappraisal of its socio-political meanings and functions. Garratt
argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were
persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates
nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In
addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between
aesthetic and social claims is programmatic.
