In A Fixed, Formal Arrangement Carter uses the short prose form to render the liminal space of between-ness. What exactly is spare time? Is a comma as servile as they say? Is a garage located
inside or outside? What is the world, and why/how does it exist around you? These are the best questions of literature, and these short, serial pieces are brilliantly precise and heart-achingly
poignant in their strange explorations. A Fixed, Formal Arrangement is published as part of the TrenchArt: Tracer Series, with an Introduction by Danielle Dutton and visual art by Ken Erhlich
and Susan Simpson.
