Rapid industrialization and new advances in technology marked the Victorian period as one of prodigious socio-cultural change. Chief among the many transformations of quotidian life was the
swift and widespread dissemination of information made possible by the emergence of the daily newspaper, an unprecedented new media. The changes it wrought in politics, history, and advertising
of the age have all been well-documented. But its influence on one area remains overlooked: the Victorian novel. Redressing this oversight, The Novelty of Newspapers highlights the variety of
ways the changing world of nineteenth-century journalism shaped the period's most popular literary form.
Arising in the 1800s and soon drawing a million readers a day, the commercial press profoundly influenced the work of Bronte, Braddon, Dickens, Conrad, James, Trollope, and others who mined
print journalism for fictional techniques. Five of the most important of these narrative conventions-the shipping intelligence, personal advertisement, leading article, interview, and foreign
correspondence-show how the Victorian novel is best understood alongside the simultaneous development of newspapers. In highly original analyses of Victorian fiction, this study also captures
the surprising ways in which public media enabled the expression of private feeling among ordinary readers: from the trauma caused by a lover's reported suicide to the vicarious gratification
felt during a celebrity interview; from the distress at finding one's behavior the subject of unflattering editorial commentary to the apprehension of distant cultures through the foreign
correspondence.
Combining a wealth of historical research with a series of astute close readings, The Novelty of Newspapers breaks down the assumed divide between the epoch's literature and journalism and
demonstrates that newsprint was integral to the development of the novel.
