From "absolute film," a term used to define abstract, non-representational expression in cinema, to "zoom shot," a shot which changes the angle of view from a closer to a longer shot and vice
versa, Beaver (emeritus, screen arts and cultures, U. of Michigan) defines techniques, concepts, visual and structural elements, genres and styles, and other components of cinematic art and
cinematic analysis. The definitions are explanatory in nature, often extending to a page in length, and are designed to stand on their own, but cross- references in bold are also incorporated
into the definitions where appropriate. Both historical and contemporary developments are taken into account. For this fourth edition, new terms such as "digital cinema/projection,"
"direct-to-DVD," "multi-tasking narrative," "neo- noir film," "polyphonic film," "synthespian," and "Viet-kieu film" have been added and earlier entries have been expanded to incorporate
commentary on the use of aesthetic components by contemporary filmmakers, with references to 150 films not cited in previous editions being included. Select photographic illustrations are
included in black and white. Cinematic term, film and television, topical, and artist indexes are also included. Annotation 穢2009 Book News, Inc., Portland, OR (booknews.com)
