The wanderer is an indispensable part of the German cultural imaginary. The nineteenth-century prominence of the motif owes much to the self-conception of the intellectual pioneers of the day
as wanderers. The motif is also a key to interpretation of the social and cultural phenomena of a turbulent century that began with the emancipatory claims of the Enlightenment and ended in
untrammeled industrialism. Writers from Goethe to BA竅chner, Fontane to Holtei were keenly aware of the motif's interpretive value, attempting to grasp with it not only such developments as mass
migration and disappearing institutions but also unprecedented opportunities for artistic and scientific innovation. This book re-interprets canonical works such as Goethe's Wilhelm Meister
novels, Heine's Harzreise, and BA竅chner's Lenz, examines underresearched works by Fontane and Raabe, and charts new territory with readings of works by Gotthelf and Holtei -- a selection of
texts that reveals the vast scope and changing function of the wanderer motif. Andrew Cusack pays scrupulous attention to the historical specificity of each work and to its relationship to
contemporary aesthetic and philosophical currents, revealing the wanderer motif to be a significant vehicle of cultural memory that sustained the ideas of the Enlightenment and of Romanticism.
Andrew Cusack is a Lecturer in the Department of Germanic Studies at Trinity College Dublin.
