Sprechstimme In Arnold Schoenberg’s Pierrot Lunaire: A Study of Vocal Performance Practice

This study offers a brief history of "Sprechstimme" and "Pierrot lunaire", Schoenberg's recordings of "Pierrot", and the ambiguity inherent in the execution of "Sprechstimme". The author provides a thorough discussion of "Pierrot's" technical vocal requirements and how the sound recordings can assist in the interpretation and performance of the "Sprechstimme".