Photography and Culture is a vehicle for the best critical, reflective and analytical writing on photography, extending a lineage that reaches back through Sontag, Barthes, and
Benjamin through to Baudelaire, Fox Talbot and Lady Eastlake. It is pluralistic in its approach and truly inter-disciplinary. It embraces the historic and the contemporary, and is
independent of any one prevailing theoretical critical model. It seeks to become the essential text for a new community of interest clustered around those who use, reference, interpret
or analyse photographic images within their chosen fields in arts and humanities, science and social science from across international academia.
