The One-Handed Pianist was published to acclaim in the early 1990’s, with the two-part Spanish edition winning the Latino Literature Prize in 1989 and the Gamma Literature Prize in
1992. Its tales look at what it means to be Jewish in the Hispanic world—a world in which spirituality is often exercised outside the realm of orthodoxy.
Stavans constructs fables that raise questions about ethnicity and community; even Stavans’ person raises questions about
ethnicity and community: what does it mean that a Jew of Eastern European lineage can call himself Latino and speak for that group?
