Harland Miller combines a painterly aesthetic with a literary mind and a uniquely gritty, north-of-England sense of humor. His bold, colorful, and tactile paintings reflect an original
perspective on a rich heritage of pop art and literature: there is D. H. Lawrence's Dirty Northern Bastard; Ernest Hemingway's 12 Rounds With God; and Miller's own guide to the glorious English
coast, Bridlington: Ninety-Three Million Miles From the Sun. His paintings are at once impressive, funny, and touching, conveying a pervasive sense of nostalgia while playing with the ironies
of rhetoric and reputation. Miller has been a celebrated part of the London art scene since the 1990s, alongside such artists as Damien Hirst, Tracey Emin, Sarah Morris, and others. In essays
and interviews with Jarvis Cocker and Gordon Burn, Miller identifies the influences of such figures as Ed Ruscha, Mark Rothko, Anselm Kiefer, and Robert Rauschenberg, all of whose work can be
seen to have left a mark on Miller's textured and iconoclastic style.
