Britain’s foremost scholarly journal dedicated to sculpture in all its aspects, Sculpture Journal provides an international forum for writers and scholars in the field of
post-classical and contemporary Western sculpture. Recent highlights include essays by playwright David Hare on Eduardo Paolozzi, Christopher Bedford on Richard Serra, and Sarah Wilson on
French sculptor Germaine Richier, alongside current exhibition news and book reviews. The fall volume, issue fifteen, number two, focuses on photography and its particular role within
sculpture arts.