A poet of the seventeenth century, Milton with his future gaze may prove to be (singularly among the triumvirate of Chaucer, Shakespeare, and Milton) the poet for the new
millennium--the poet for the twenty-first century. Milton will be so to the extent that through him we see the upheavals in the humanities as deriving not from a revision
of the canon but rather, as Bill Readings insists in The University in Ruins, from “a crisis in the function of the canon” and, then, to the extent that Milton shocks us
into the recognition that poets sometimes deliver messages at odds with those with which they are credited.
