This book reveals a largely unknown and unexplored side of Arab culture and design��ne rarely glimpsed in today�� geopolitical debates that characterize the region. In Damascus and Aleppo,
approximately 200 companies vie for a highly competitive domestic lingerie market. The lingerie forms part of popular Syrian tradition surrounding marriage; if a groom does not buy the
undergarments for his wife-to-be, then her mother will. Some lingerie designers resort to gadgetry (blinking lights or sound loops of pop music) or the sweet tooth (candy- or
chocolate-encrusted panties), while others stick to classics like the thong panty featuring a bird embedded in a ring of fl uorescent pink boa feathers: called Ish Al Asfour (��ird�� nest��in
Arabic)�� kitsch interpretation of women�� pubic hair. Malu Halasa describes her and Rana Salam�� visits with the designers, manufacturers, vendors, and consumers of these undergarments,
shedding light on the social mores of Syrians and questioning Western preconceptions about Islam. Photographs by Gilbert Hage highlight the editors����op 30��of lingerie styles discovered on
their many trips to the souk in Damascus. Also in the book: self-portraits by the young Syrian artist Iman Ibrahim; a history of the Syrian textile industry and how dictatorship created a
homegrown fashion empire; excerpts from fi lmmaker Noura Kevorkian�� journal, impressions and observations made while listening to Syrian women speak candidly about their lives, leading her to
further investigate the relationship between lingerie and polygamy; and an interview with one of Syria�� reformers, the author, publisher and activist Ammar Abdulhamid, among much more depicted
within Rana Salam�� graphic collection of Arabic design. Texts by Malu Halasa, Noura Kevorkian, Kaelen Wilson-Goldie, interview with Ammar Abdulhamid, and photographs by Gilbert Hage, Iman
Ibrahim, and Issa Touma among others.