In Theorizing the Avant-Garde Richard Murphy mobilizes theories of the postmodern to challenge our understanding of the avant-garde and assesses its importance for the debates among theorists
of postmodernism such as Jameson, Eagleton, Lyotard and Habermas. Murphy reconsiders the classic formulations of the avant-garde and investigates the relationship between art and politics via a
discussion of Marcuse, Adorno and Benjamin. Combining close textual readings of a wide range of films as well as works of literature, this interdisciplinary project will appeal to all those
interested in twentieth-century modernist movements and postmodernity.
