In Each Wild Idea, Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way,
he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography.
The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each
photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously
material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than
beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
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A House Without a Roof
$1,750 -
The Promise of Photography
$2,700 -
Vanuatu
$2,730 -
The Act of Documenting: Documentary Film in the 21st Century
$1,573 -
Contact Sheets: The Selected Photos
$697 -
David Busch’s Sony Alpha A68/ILCA-68 Guide to Digital Photography
$1,223 -
Generation Wealth
$2,231 -
David Freund: Gas Stop
$4,375 -
Death, Image, Memory: The Genocide in Rwanda and Its Aftermath in Photography and Documentary Film
$4,500 -
Rost In Peace: Automobile Discoveries in the USA / Automobile Fundstucke in den USA
$1,400 -
Face to Face With the Great Photographers: Interviews
$700 -
Robert Frank: Hold Still, Keep Going
$1,400 -
Chance Magazine Issue 8
$1,348 -
On Photography: A Philosophical Inquiry
$1,348 -
Where the Roads All End: Photography and Anthropology in the Kalahari
$1,798 -
Pastoral
$1,365 -
Flowers
$1,750 -
Mogadishu: Lost Moderns
$875 -
Emotions
$2,098 -
It’s All Good
$1,104

