In Each Wild Idea, Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way,
he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography.
The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each
photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously
material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than
beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
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Henry Wessel: Traffic / Sunset Park / Continental Divide
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Distrito Federal
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Chance Magazine Issue 7
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Stefan Loeber: Bedouin
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Where the Roads All End: Photography and Anthropology in the Kalahari
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Paper Cities: Urban Portraits in Photographic Books
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Buzzing at the Sill
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David Busch’s Sony Alpha A68/ILCA-68 Guide to Digital Photography
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The Lovings: An Intimate Portrait
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City
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Photography and Humour
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Generation Wealth
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On Photography: A Philosophical Inquiry
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It’s All Good
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Loulou the Pug: A Book by MeetThePugs
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100 Great Street Photographs
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Emotions
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Pastoral
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Underwater Cathedrals / Geflutete Kathedralen
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Sleeping Cars
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