In Each Wild Idea, Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way,
he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography.
The essays all focus on a consideration of specific photographs--from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each
photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously
material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at--rather than
beyond--the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.
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Constructions of Cultural Identities in Newsreel Cinema and Television After 1945
$1,800 -
Rost In Peace: Automobile Discoveries in the USA / Automobile Fundstucke in den USA
$1,400 -
Distrito Federal
$3,080 -
Contact Sheets: The Selected Photos
$697 -
Misericordia: Together We Celebrate
$1,750 -
Buzzing at the Sill
$1,244 -
Mogadishu: Lost Moderns
$875 -
Starting Your Career As a Freelance Photographer
$700 -
Where the Roads All End: Photography and Anthropology in the Kalahari
$1,798 -
Stefan Loeber: Bedouin
$2,248 -
A House Without a Roof
$1,750 -
New York Serenade
$1,225 -
Sleeping Cars
$3,815 -
Photography and Humour
$1,348 -
The Lovings: An Intimate Portrait
$873 -
On Photography: A Philosophical Inquiry
$1,348 -
Copacabana Palace
$3,325 -
Otherworlds: Visions of Our Solar System
$1,048 -
The Promise of Photography
$2,700 -
Vanuatu
$2,730

