For most Renaissance English thinkers, queenship was a catastrophe, a political accident that threatened to emasculate an entire nation. But some English poets and playwrights proved more
inventive in their responses to female authority.
In Showing Like a Queen, Katherine Eggert argues that Spenser, Shakespeare, and Milton turned the political problem of queenship to their advantage by using it as an occasion to
experiment with new literary genres. Unlike other critics who have argued that a queen provoked only anxiety and defensiveness in her male subjects, Eggert demonstrates that even after her
death Elizabeth I's forty-five-year reign enabled writers to entertain the fantasy of a counterpatriarchal realm.
Eggert traces a literary history of the late sixteenth and early seventeenth centuries in which the destabilizing anomaly of female rule enables Spenser to reshape the genre of epic romance
and gives Shakespeare scope to create the ruptured dynastic epic of the history plays, the psychologized tragedy of Hamlet, and the feminized tragedies of "Antony and Cleopatra" and "The
Winter's Tale." Turning to the second half of the seventeenth century, Eggert reveals how even after more than sixty years of male governance, Milton bases his marital epic Paradise
Lost upon the formulae of queenship.
