This magnificent book is the key to understanding one of the world's most important architectural traditions, one that spawned major masterpieces throughout the near east, and particularly in Persia, India, Turkey, North Africa, Southern Russia, and Spain. As human representation is forbidden in Islamic religious monuments, design and ornamentation reach unparalleled heights of expression through mosaics, stucco, brickwood, and ceramic. Brilliant colors are used everywhere to enhancedesign.
This monumental study is a close collaboration between Dominique Clevenot, a distinguished scholar of art, and Gerald de George, a renowned photographer. Together, they visited and photographed hundreds of monuments, selecting their most noteworthy features. Unlike other books, which divide the subject geographically or chronically, the authors have approached this complicated topic from four different and interconnected angles: the history of Islamic architecture, materials and techniques, ornamental design, and the aesthetics of ornamentation.
Each of these topics is presented through a number of outstanding examples and comparable monuments from all over the Islamic world. Travelers overwhelmed by the Taj Mahal or the Alhambra will gain greater understanding. Architects and designers will find endless inspiration and ideas. Historians will be illuminated. Anyone interested in the vast world of Islam will find new knowledge in this magnificent full-color publication.
